
OV Vijayan was undoubtedly the
early exponent of modern fiction in Malayalam. Cartoonist, novelist
and short-story writer, Vijayan has to his credit five novels
besides several short stories, articles and a book on his own
masterpiece, 'Itihasathinte Itihasam' (The Story of the Saga).
Starting his career as a lecturer, Vijayan soon opted for full-time
journalism and left Kerala in 1958 to pursue his active interest
in the world of cartoons in Delhi.
History of modern fiction in Kerala can be halved in to two, pre-Khasak
and post-Khasak period. Such was the influence of his maiden effort
('Khasakinte Ithihasam'- Saga of Khasak, 1969), the imaginary
land of Khasak and its characters Maimuna, Naizamali, Alla-picha-mollakka
etc. penetrated the subconscious mind of Malyalee readers and
formed the ethos of literary world. Though some characters and
the land depicted in the novel were real, they served only as
creative sparks to ignite the literary imagination of Vijayan.
The language of Vijayan was very vibrant and it encompasses the
whole rhythm of earth. By recreating the movements and essence
of every activity that's going on around him in nature, he brought
in elements like Wind, Bloom, Tree, Sand, Expanse of space etc.
in his literary efforts.
He often took the liberty of reinterpreting history to suit the
needs of his story line. He pitted contemporary reality against
the age-old insights propounded by Indian philosophy.
'Dharmapuranam' (Indian political situation), 'Khasakinte Ithihasam
' (Degeneration of ideologies), 'Madhuram Gayathi' (Attacks on
Environment), 'Gurusagaram' (Materialist attitudes of the society)
and 'Pravachakante Vazhi' (Prediction about the future of the
land) stand testimony to this.
Apart from personal contributions to the world of novel, Vijayan
has left impressionable imprints in short-story scenario. 'Kadaltheerathu',
'Kattuparanjakatha', 'Parakal' etc. were path breaking in its
character and content. His political writings were noted for their
visionary insights on the political developments of the contemporary
circumstances and clarity of thought.
Apart from the interpretation of existing reality through his
characters, his illustrations acted as powerful vehicles to portray
thought-provoking ideas. He was one of the finest of cartoonists
to emerge from Kerala.
He was the first Malyalee author to highlight the issue of environmental
degradation through prose and the creative mind in him very much
feared a nuclear holocaust, as was evident from his writings.
Often criticized for attacking the approach of socialists, he
was labelled as being one who developed a soft corner for fundamentalism,
which eventually resulted in developing an affinity towards religion
and its cult leaders. This change was very much evident in 'Gurusagaram'.
His prophecy relating to the destiny of Keralite society through
his writings are often visionary. The day-to-day crisis in politics,
imposition of emergency, degeneration of the congress party, rise
of fascism, degradation of environment etc. were all subject matter
for his writings.